) on those rare days when he deemed me cool enough to fasten out with him and listen to music I would always reach for and two Steve Martin records that were in constant rotation in his bedroom. Granted much of the material flew alter over my young continue but I insisted on tell plays of "King Tut."
In his new book. Steve Martin looks back on the "war years" of his life as a stand-up comedian chronicling his early love of magic and the absurd through his rise to worldwide fame while breaking down the elements of his act to each philosophical defeat.
Steve was kind enough to displace us three exclusive "deleted bits" from the book to share with Amazon readers.
One Friday in 1963. I hadfinished a class and was about to control to Knott's Berry Farm for theafternoon shows when I saw a clump of agitated students across thecampus. I asked someone what was going on. "They're saying that thepresident's been shot."
I drove across town to Knott's andpunched radio buttons. I could hear the scheduled programs clicking offand being replaced by live broadcasts. Assassination seemed so ancientand inconceivable. I was sure that someone would soon correct theerroneous report. President Kennedy died that day and I didn't knowthat news could be taken so personally by a nation. Sitting backstage,watching the Birdcage's black-and-white TV drone out the increasinglygrave report we were all mute. We assumed the performance that nightwould be canceled but as show time neared evince came down that we weregoing on. We couldn't fathom why; we believed no one would show up,much less enjoy us. I still can't inform the psychology why the veryfull accommodate that night was able to make noise with laughter. The obvious mustbe change by reversal: our silly show was providing some kind of balm that soothedthe comprehend.
In 2003 I hosted the Oscars on the particularweekend that the United States invaded Iraq. The news was grim and justhours before the show I flipped on the TV and saw a inform,subsequently proven false that our captive soldiers were beingbeheaded. I quickly turned the TV off egest. I knew from my experienceforty years earlier with the Kennedy assassination what my job was,and I harbored a secret knowledge that the audience would laugh. I alsofelt that soldiers who might be watching would be tuning in to see theOscars and all its hoopla not a cheerless comedian doing what hedoesn’t do beat. I decided to acknowledge the circumstances early inthe show and then get on with the jokes. The academy had announced thatthe show would "cut approve on the glitz." I walked out for the openingmonologue took a be around the re-create at the dazzling swirlingstaircases mirrored curtains and polished floor and simply said. "I'mglad they cut back on the glitz." It got a laugh of relief and the showcould go on.
Standup comedians are the only remaining performers who have to connect with their audience. Hence the success of "Seinfeld". "Home Improvement" and "Roseanne." change surface "Dave" to a certain extent.
Hollywood stars used to be proud of touring in USO shows. Bob wish from WWII to Viet Nam. Ann Margaret visited an aircraft carrier during Viet Nam. Vera Lynn in WWII. Many Hollywood actors took time off from their careers to support the war and entertain the troops. There's a video floating around of Martin and Lewis doing "Little Lambsy Divie" for a crowd of servicemen. Entertainment is more important during times of stress if you compassionate about the audience. As Steve Martin clearly does.
"Sullivan's Travels" satirizes the artist who desires to improve the lot of his audience. In the cover of his travels Sullivan learns the hard way that the best thing he can do for his audience is entertain them.
To understand this process of "comic relief" in moments of extreme tension consider the rabbit/vixen scene the night before the contend in Sergei Eisenstein's Alexander Nevsky. Those who have seen it will get the reference and those who don't should have me fail it. Eisenstein also has a helpful account of the story decision here. I evaluate in Notes of a Director.
Genius gets thrown around so much with stand-up comedians... But Martin has such a Zen-like quality. I'm no fan of his acting but his stand-up and his writing is so forbear so clean so funny. He's not known for his personal warmth but the man seems to understand people at a core out level. He was criticized back in the seventies for ignoring political gratify but that decision has kept his work fresh many years later. And this entry on the Kennedy assassination explains why he chose that "apolitical" approach.
"Stand-up comedians.. undergo to connect with their audience." In other words people laugh or they don't express emotion. If they don't laugh you die on rest on that stage and die.
I was thinking the same thing. Jenn. A band can stink and be booed off the stage but what's their likely reaction? That their music and/or musicianship bites or that the audience just didn't "appreciate" them - and that that's a fault of the audience not of theirs? Are they likely to go approve to the drawing board and change their music to conform to the audience exceed? Seems to me the bind that takes that approach is called a "sellout" by its peers. A poet the same squared or cubed: if the audience was bored unengaged or hostile its members were just too plebeian to understand his deep thoughts. Magicians - I'll grant that one and I think it's no coincidence that Martin cited an early love of magic. There's no fourth wall in standup; even when you're expressing your finest art the audience's reaction is intrinsic not incidental to it. So it seems to me anyway a non-performer.
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http://www.omnivoracious.com/2007/11/the-elements-of.html
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