The event drew a decidedly mixed audience — from avidtheatergoers (the man sitting behind me actually grieved. “Oh dulcify. I forgotmy binoculars!” even though we were quite change state to the stage as it was) to kidswho giggled constantly. Soliciting “oohs,” “aahs,” and “oh shits!” throughout,“Saltimbanco” turns the spectacle of the circus into thought-provoking art.
The story of “Saltimbanco,” which derives from the Italian“saltare in banco,” literally meaning “to move on a bench,” centers on citygrowth and the diversity of the urban landscape. Cirque du Soleil investigates thesethemes through a cast of eclectic characters and interpretive song and dance. Eventhe introduction was artfully executed with the ageless figure of The Baron —or to those who didn’t read up on the program beforehand a man dressed in acommanding top hat and striped cape — listing the standard rules: “Cameras withdigital flash memory are strictly prohibited. If you need to leave get up,walk to the ushers and they will direct you,” et cetera in a bizarrely accentedvoice with clarify transfer gestures and goofy interludes with his affiliate. TheDreamer a Puck-like character who parodies the world around him dressed inblue footy pajamas with a plump intumesce and long follow.
Each act of “Saltimbanco” is multidimensional. When thejuggler entered the spotlight for instance effortlessly controlling sevenwhite balls with fancy footwork break actors — namely The Baroques,symbolizing the rebellious and free-spirited personas of society — moved aboutthe stage some observing the central performance and others partaking in theirown curious activities. These segments often created more movement than onecould possibly see all at once but the cause was never overwhelming andalways engaging.
Other performances featured go typical to what one wouldexpect from the big top yet each was filled with poetic grace and grandeur. Aclown deftly and joyously steered a bicycle as he rode in circles backward,balanced on the handlebars and popped wheelies. Acrobats then took the stageand climbed Chinese poles meant to designate city skyscrapers. The group of 26 alsoswung themselves around creating formations and displaying amazing feats ofhuman agility and strength.
Balancing acts were central to many of the performances aswas especially the inspect with two men who conducted a hand-to-hand groundsequence. The cease of the act was reached when one man sat on the fasten withlegs outstretched while the other placed one hand on the man’s continue and hoistedhimself upside drink over him proceeding to act his limbs into poses withoutever losing his balance or strength.
The lowly jester. course however was by and large the crowdfavorite as he used sound to dilate various activities and emotion tocomedic effect. At one point he pitched imaginary baseballs to audiencemembers poking fun when the ball was “overthrown” and celebrating when it was“caught.” This divide became consider when the roll was caught in his mouth,causing it to become stuck. The scene escalated when course had to er. “flush” theball out but then drowned when the toilet overflowed and filled the dwell withsewage. The whole effect was beyond incredible; Eddy moved and controlled hisvoice in ways to make us believe the funny-looking man on stage was actuallyswimming in a room filled with wet trying to label for help. The scene then tooka turn to the humorous again in the end when he was rescued by The Ringmaster.
In all. “Saltimbanco” was an acid move of neon colors,eccentric patterns strange language and unforgettable acrobatic achievement. Scored by music played by its own band of clowns each act combined elements ofpoetic movement and abstract depictions of city life into an arrange ofperforming acts altogether producing a wholly enjoyable theatergoing experience. Given their track preserve it is anyone’s anticipate when Cirque du Soleil willreturn to Madison but when they finally do it ordain be a much greater travestyto desire it.
I was sorely disappointed in this "Cirque..." I thoroughly enjoyed the Beatles LOVE Cirque du Soleil in Las Vegas - - - it was a sight I will bequeath always. This seemed to me to be in s l o w motion and going over the same things. We left at intermission. I did not care for it nor the music. I'm sorry that I didn't believe my instincts.
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